Scarlett Johansson’s Best Red Carpet Looks Channel Classic Glamour

At The Phoenician Scheme premiere, Johansson leaned into spring colors in this tangerine Saint Laurent dress.

Johannson wore a stunning Prada dress and De Beers jewels at the 2025 Cannes Film Festival.

The star went the vintage route at the 2025 Oscars in an archival Thierry Mugler couture look.

Johansson wore a Courregés LBD and dramatic eye makeup at the Fly Me to the Moon premiere.

The star looked angelic in a white Carolina Herrera dress and a pin-up hairdo at the 2023 Asteroid City premiere in New York.

In Prada, the star dabbled in the exposed bra trend at the 2023 Cannes Film Festival.

Johansson slipped into a black and white Gabriela Hearst look at the 2021 People’s Choice Awards.

For the afters at the 2020 Oscars, Johansson stunned in a metallic Oscar de la Renta gown.

At the main event, she wore another Oscar de la Renta confection.

At the 2020 BAFTAs, Johansson recalled a glamorous flamingo in a custom Versace gown.

After the 2020 Golden Globes, ScarJo was ready to party in this pink, feathered Monique Lhuillier dress.

At the Cannes premiere of Marriage Story in 2019, Johansson wore a sparkling red Versace gown.

For an Avengers Endgame event in London, Johansson decided to do suiting her way, with an asymmetrical, curve-baring jacket by Tom Ford.

At the 2018 Emmy Awards, Johansson wore a custom strapless Balmain gown embellished in sequins as subtle as sequins can be.

Johansson matched the floral backdrop in this rosy gown from Marches at the 2018 Met Gala.

Johansson chose Alaïa at the 89th Annual Academy Awards.

Johansson was a lady in red at the 2016 Toronto International Film Festival.

Johansson wore a pink Zuhair Murad jump suit to attend the 2015 MTV Movie Awards.

Johansson wore green Versace to the 87th Annual Academy Awards.

When in Rome dress like Rome? Johansson’s Dolce & Gabanna dress for the 2013 Her premiere included imagery directly inspired by the city.

Johansson premiered her new film Under The Skin—and one of her best looks to date—in 2013 in a black Atelier Versace gown and a multicolored Bulgari necklace.

The actor opted for an emerald green mini dress and heels for a 2012 red carpet.

Johansson attended the premiere of Marvel’s Avengers Assemble in a patterned peplum dress.

The actor shined in more ways than one at the 2012 Met Ball in this embellished gold gown by Dolce & Gabbana.

A futuristic white frock by Giorgio Armani—with coordinating glittery accessories—was just the ticket for the 2010 premiere of her new movie, Iron Man 2.

The style chameleon celebrated her new film He’s Just Not That Into You in L.A. with a new brunette ‘do and a pretty floral gown by Oscar de la Renta.

At this 2008 premiere in Paris, Johansson went very ladylike in a white coat and classic lace-enhanced dress.

In 2007, Marc Jacobs was at the height of his power as creative director of Louis Vuitton, and this dress sums up his contributions to the house’s ready-to-wear perfectly.

The actor was irresistible in red Valentino at the 2006 Golden Globe Awards—so irresistible, in fact, that designer Isaac Mizrahi memorably groped her on a red carpet TV show.

At the 2004 Tony Awards, Johansson channeled old school Hollywood glamour in a classic black dress and hair the recalled a blonde Clara Bow.

Continuing her rise to film and fashion stardom, Johansson stunned at the 2004 Met Gala in a yellow silk gown by Calvin Klein Collection.

At the 2004 Brits, Johansson channeled the rock and roll vibes in a glittering gold mini dress from Cavalli and eyeshadow that recalled a tropical sunset.

Johansson stepped things up for the premiere of her 2003 breakout role in Lost in Translation in a crisp cream suit by Dolce & Gabbana—sans blouse—and a trendy (remember, this is 2003) shark tooth necklace.

In early 2003, Johansson went through a bit of a rebellious fashion face, complete with mullet. Let’s be honest, though, the TikTok teens of today would totally covet this look.

It was 2002, white belts and brown cords were in.

Perhaps taking a cue from her Ghost World character, Johansson added a gothic flare to another all-black ensemble. Better safe than sorry.

Even in 1999, with only a handful of movies under her belt, Johansson was aware of the power of a little black dress. Basic as it was, this shiny knee-length number was a sign of good things to come.

Johansson was nominated for an Independent Spirit Awards for her first leading role in the comedy-drama Manny & Lo.